日本的杜甫研究述要  

A Brief Introduction of Du Fu Studies in Japan

作　　者：静永健[1] 刘维治[2] 

机构地区：[1]九州大学文学院 [2]辽宁大学文化传播学院,辽宁沈阳110036

出　　处：《南阳师范学院学报》2010年第7期36-41,51,共7页Journal of Nanyang Normal University

摘　　要：该文将日本的杜甫研究划为三个时段。以大量原始资料来显示日本杜甫研究的发生、发展、壮大历程。读者可见仁见智,从不同角度归纳所得,有所感悟。如早期杜诗佳句与杜律的引进,可供版本参校外,也显露了日本学人的唯美倾向;杜甫与弥尔敦的比较,是在东西方文化板块冲撞背景下,日本学人开拓的新视野;秉承求真务实传统的日本近现代杜甫研究,与中国的杜甫研究紧密相关,但并不随之起舞,而是保持着"旁观者清"的客观与冷静,颇多创见,自具特色。This paper divides Du Fu studies in Japan into three stages, and it uses a great deal of source materials to show readers the emergence, development and expansion of Du Fu studies in Japan. Since opinions differ from one another, readers may have different insights and impressions from various perspectives. For example, the introduction of Du Fu’s well-worded poems to Japan at an earlier stage shows the aesthetic tendency of Japanese scholars; the comparison between Du Fu and Milton is a new field of study by Japanese scholars under the background of cultural clashes between the East and the West; and the contemporary Japanese Du Fu studies which had a tradition of being realistic and pragmatic are closely related to the Du Fu studies in China while maintaining their own identity and uniqueness, thereupon having the characteristics of being detached, objective and fruitful just as the Chinese saying goes, ＂The on-lookers are more clear-minded.＂

关 键 词：杜甫 德富苏峰 吉川幸次郎 黑川洋一 

分 类 号：I206.2[文学—中国文学]