论卞之琳诗歌中中国传统诗歌同西方象征主义的交融  

Blending of Classic Chinese Poetry and Western Symbolism in Bian Zhilin's Verses

作　　者：许晶晶[1] 

机构地区：[1]西安外国语大学研究生部,陕西西安710128

出　　处：《西安外国语大学学报》2010年第3期71-74,共4页Journal of Xi’an International Studies University

摘　　要：在积累了深厚的中国传统文化底蕴的基础上,卞之琳较多地接受了以艾略特和瓦莱里为代表的后期象征主义的影响。使其诗歌兼具象征主义和中国传统诗歌的特质。其中以"契合"与"意境","含蓄"与"暗示"最为明显,成为沟通中西诗歌的两大桥梁。Imbued with traditional Chinese culture, the literary works of Bian Zhilin are mostly influenced by the post-symbolism works represented by Eliot and Valerie, which makes her poems saliently featured with the characteristics of both symbolism and traditional Chinese poetry writing. Among those characteristics of her poems, ＂coherence＂ and ＂poetic imagery＂, ＂implication＂ and ＂allusion＂ are most salient, which become two bridges that effectively connect Chinese and western poetry.

关 键 词：中国传统诗歌 象征主义 契合 意象 含蓄 暗示 

分 类 号：I0-03[文学—文学理论]