汉代拟作的文体意义  

Significance of Works Intended in the Style of Other Authors during the Han Dynasty

作　　者：吕逸新[1] 

机构地区：[1]山东理工大学文学与新闻传播学院,山东淄博255049

出　　处：《山东师范大学学报（人文社会科学版）》2010年第4期41-45,共5页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：山东省社会科学规划研究项目<汉代文体问题研究>(09CWXZ08)阶段性研究成果

摘　　要：拟作是汉代文体演进过程中的重要现象。拟作是一个尊体与破体相互交织的过程,汉代的诸多文体常常是在拟作中获得认同,在认同中得到发展,在发展中实现创新,创新后又被拟作的。汉代拟作促进了文体的定型、文体的创新和文体理论的发展,体现出汉代鲜明的文体自觉性,是文学自觉意识的一种表现。The appearance of works intended in the style of other authors during the Han Dynasty is an important phenomenon in the evolution of the writing style and literary form during the Han Dynasty.It demonstrates a process in which an approved literary form is intertwined with an abandoned one.More often than not,many a literary form obtain its reception in these works,develops itself in the reception,innovates itself in its development,and is imitated intentionally after its innovation during the Han Dynasty.And it is just these works or imitated works of the Han Dynasty that have promoted the definitization of a certain literary form,its innovation,and the development of the doctrine on style and literary forms.This has indicated a distinctive style consciousness,and is a manifestation of literary self-consciousness.

关 键 词：拟作 文体意义 文体创造 文体论 

分 类 号：I206.2[文学—中国文学]