中国古典美学中的意象精神  

Image Spirit of Chinese Classical Aesthetics

作　　者：叶经文[1] 

机构地区：[1]衡阳师范学院美术系,湖南衡阳421008

出　　处：《衡阳师范学院学报》2010年第4期170-172,共3页Journal of Hengyang Normal University

基　　金：湖南省教育厅2009年教学研究项目<普通高校艺术教育有效模式研究>资助;湖南省哲学社会科学项目<现代城市导向系统的人性化设计研究>(09YBB053)

摘　　要：与西方古典绘画的"模仿说"相比,中国古典绘画更追求"意象"的表现,追求"意"与"象"、"主体"与"客体"在艺术中的和谐统一。"意象"既不同于西方古典的"写实"风格,也不同于西方现代主义的"抽象"表现,它是中国古典绘画追求心理和谐的文化的表征。因此,我们对"意象"审美中所积淀的关于人与自然和谐统一的原生态文化意识的秉承和发扬,在当代尤具现实意义。Compared with Western Classical Painting which pursued imitation,Classical Chinese Painting paid more attention to the performance of ＂image＂,the harmony between ＂meanings＂ and ＂appearance＂ and the harmony between ＂subjects＂ and ＂objects＂.＂Image＂,which was different from the Western classic ＂realist＂ style and the modern Western ＂Abstract＂ performance,was the cultural representation of Classical Chinese Painting pursuing psychological harmony.Therefore,in contemporary age,upholding and promoting in ＂image＂ aestheticism the primitive cultural awareness on the harmony between man and nature particularly has a practical significance.

关 键 词：“意” “象” “意象” “意境” 

分 类 号：B83[哲学宗教—美学]