悲剧潜质在麦琪和爱德娜命运中的体现  

The Potential Quality of Tragedy Embodied in the Fate of Maggie and Edna

作　　者：李雪梅[1] 廖新丽[2] 

机构地区：[1]曲靖师范学院外国语学院,云南曲靖655000 [2]思茅师范高等专科学校英语系,云南普洱665000

出　　处：《思茅师范高等专科学校学报》2010年第4期74-77,共4页Journal of Simao Teachers' College

基　　金：云南省教育厅科学研究基金项目"爱德娜和麦琪死亡悲剧的对比研究"(09C0196)

摘　　要：乔治.爱略特和凯特.肖邦是19世纪英美著名女作家。在她们的小说《弗罗斯河上的磨坊》和《觉醒》中,女主人公麦琪和爱德娜经历了一番"主体意识"的觉醒,但都以悲剧的死亡命运结束了和传统社会的抗争。两位女主人公"主体意识"的失落反映了爱略特和肖邦身为女性作家在19世纪作为创作主体的困惑和迷惘。悲剧潜质是时代在她们小说中留下的印记。George Eliot and Kate Chopin are famous female writers in the 19th century. In The Mill on the Floss by Eliot and The Awakening by Chopin, the female protagonists Maggie and Edna awake to their subjectivity, but both of them give up their challenge to traditional society and end in tragic death at last. The loss of their subjectivity reflects puzzle and confusion of Eliot and Chopin as subject of creation in the 19th century. The potential quality of tragedy is the imprint of the time upon the novels.

关 键 词：英美文学 悲剧潜质 主体意识 创作主体 

分 类 号：I106.4[文学—世界文学]