执著守望与诗意超越——论哈萨克族诗人乌玛尔阿孜的诗歌创作  

Watching Persistently and Poetry Exceeding——The Poetries of Kazakh Poet,Wumaraz

作　　者：曹晓丽[1] 范学新[1] 

机构地区：[1]伊犁师范学院,新疆伊宁835000

出　　处：《伊犁师范学院学报（社会科学版）》2010年第3期11-14,共4页Journal of Yili Normal University

基　　金：新疆维吾尔自治区哲学社会科学研究规划基金资助项目(08BWX039)阶段性成果

摘　　要：随着社会生活的日趋丰富和文化的逐渐发展,各民族审美心理也在逐渐发生变化。我们从乌玛尔阿孜.艾坦的诗歌创作中可以看到,他对本民族审美心理既有认同与回归,也有批判与超越。诗人既通过对野性力的呼唤、图腾意象的再现和游牧意象的展示表现了对民族传统的执著守望,也通过对跨文化意象、走出意象的选择表达了对民族文化的诗意超越。With the increasing prosperity and rich social life and culture gradually developed,the national aesthetic psychology is also changing.From the poetries by the poet,Wumaraz,he was both aesthetic psychology of the national identity and regression,but also criticism and transcendence.The poet expressed his transcen-dence to the national culture not only by the call of the wild force,totem image reproduction and display of im-ages showed the nomadic peoples of traditional attachment to the watch,but also through cross-cultural images and the images out of the choice.

关 键 词：哈萨克诗歌创作 乌玛尔阿孜 民族审美心理 认同 超越 

分 类 号：I207.936[文学—中国文学]