丧仪中的影戏演出特点及其民俗文化功能探析  

On the Characteristics and the Functions of Folk Culture of Shadow Play Performances during Funeral Rites

作　　者：李跃忠[1] 曹群勇[2] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201 [2]四川警察学院侦查系,四川泸州646000

出　　处：《石河子大学学报（哲学社会科学版）》2010年第4期81-84,共4页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学研究项目"民俗学视野下的‘例戏’研究"(09YJC751026)

摘　　要：丧仪时演出影戏,在我国民间是一个较为普遍的习俗。影戏中的丧仪演出有其特殊之处:一方面是有特用于这种场合的"例戏",以引荐亡灵升天,另一方面是演出的"正本"戏中多带有祭灵、吊孝的情节。丧仪中演出影戏的民俗文化功能是多方面的:借其超度亡灵升入天堂;以其"热闹"丧场;招待前来吊唁的宾客;丧家借其昭示对亡者的孝,显示身份,赢得"面子"等。It is a common custom performing shadow play during funeral rites in China. Shadow play during funeral rites have two characteristics. Or the one hand, there are plays used for such occasions to introduce the souls to the heaven; on the other hand, in the usual plays there are plots of holding memorail ceremonies and paying condolence calls. The folk culture functions of shadow play during funeral rites are manyfold： to save the souls of the deceased from hell and help them to go to heaven; enliven the funeral venue; entertain guests who come to offer condolences; to show the filial piety to the dead by the bereaved,and show off status and win face.

关 键 词：丧仪 影戏 演出特点 民俗文化功能 

分 类 号：G127[文化科学]