浅谈《录鬼簿》涉及的元杂剧剧本体制问题  

Brief analysis on Yuan drama's play system involved in Ghost

作　　者：陈燕[1] 

机构地区：[1]周口师范学院,河南周口466001

出　　处：《湖北广播电视大学学报》2010年第10期75-76,共2页Journal of Hubei Radio & Television University

摘　　要：《录鬼簿》是研究元代戏曲的重要史料,对元杂剧剧本体制涉及颇多,如元杂剧的题目正名、次本、分折等问题。对于题目正名,本文认为对于元代的杂剧,其题目正名应在剧本的后面,而且并不是非标不可的。对次本问题,本文认为"次本"应当为改编本而非删节本。对于学者讨论较多的元杂剧是否分折问题,本文从《录鬼簿》的记载及元杂剧的形成过程出发,推断出元杂剧在元代已有分折现象。The Record of Ghost Book,an drama theroy book,is of great importance to the study of poetic drama of Yuan Dynasty in the field of rectification of name,adaptation and analysis.This thesis focuses on the record of the Book and the development of the Yuan Poetic Drama,adopts the method of close reading and documentation,concludes that the rectification of name is after the script and is a seletive element;the adaptation is a transcribing version,not an abridged one;and subsection have been applied in the Yuan Poetic Drama.

关 键 词：《录鬼簿》 题目正名 次本 分折 

分 类 号：I207.3[文学—中国文学]