论闻一多、徐志摩诗歌的音乐美  

On the Musical Aesthetics OF Wenyiduo and Xuzhimo's Poetry

作　　者：程向兰[1] 

机构地区：[1]邵阳学院音乐系,湖南邵阳422000

出　　处：《邵阳学院学报（社会科学版）》2010年第4期91-95,共5页Journal of Shaoyang University:Social Science Edition

摘　　要：美是内容和形式的辩证统一。音乐美包括内容美和形式美两个方面。单从形式的角度论述诗歌的音乐美是偏颇、低层次的。诗歌以抒情为主要特征,抒情是诗歌的主要内容,形式是为内容服务的。诗歌的音乐美并不完全表现在形式、声音的组合效果上,还取决于声和情的和谐、声情并茂上。只有声情和谐、声情并茂,才是诗歌音乐美的最高境界,诗歌的音乐美才算是最完善的。文章从节奏、押韵、音调、声情诸方面论述了闻一多、徐志摩诗歌的音乐美。Beauty is the dialectical unity of content and form,so is the beauty of music.Expounding poetry only from the beauty in form is biased and low-level.Not only is lyric the main feature of poetry,but also the main content,and form serves content.As a result,the musical aesthetics of poetry does not just exhibit in the combination affect of form and voice.It also depends on the concordance and excellence in voice and emotion.Only in this way can it reach the highest extent and acquire perfection.The article treats of the musical aesthetics lying in Wenyiduo and Xuzhimo＇s poetry from many aspects such as rhythm,rhyme,tone,voice,emotion and so on.

关 键 词：新格律诗 音乐美 节奏 押韵 音调 声情 

分 类 号：J601[艺术—音乐]