北宋太宗朝的“乐府声诗并著”——以王禹偁为个案  

"Yue Fu Sheng Shi as the Similarly Important Status" in the Northern Song Dynasty of Taizong——A Case Study of Wang Yucheng

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070

出　　处：《西北师大学报（社会科学版）》2010年第5期25-31,共7页Journal of Northwest Normal University(Social Sciences)

基　　金：教育部人文社会科学规划项目"宋代礼仪文学研究"(09YGA751071)

摘　　要：在中国古代音乐文学史上,以齐言或长短句为主要歌辞形式的歌曲创作并行不悖,宋人早已清楚地认识到了这一点。李清照词"别是一家"之论,开宗明义即指出"乐府、声诗并著";张炎《词源》序中亦以为"声诗间为长短句"。北宋太宗朝"乐府、声诗并著"的创作,王禹偁可谓典型。王禹偁有"谪居始信为儒苦"的生活,有"醉中官妓乞歌诗"的经历;有声诗《?田词》,也有"乐府"(曲子词)《点绛唇》,而他总以"词臣"的身份,时刻关注"风谣"、"山歌"修教易俗的意义,反映了北宋立国之始文人士大夫对声诗、"乐府"(曲子词)功能的明确认识。In ancient Chinese literary history of music,the songs creation of which Qi Yan or Long Short Sentences as the main form goes hand in hand.People in the Song Dynasty had been already aware of it.The theory of＂unique style of Ci＂proposed by Li Qingzhao,pointed straight forward—＂Yue Fu and Sheng Shi as the similarly important status＂.In the foreword of Ci Yuan,Zhang Yan also thought that＂Sheng Shi includes Long Short Sentences＂.As for the creation of＂Yue Fu Sheng Shi as the similarly important status＂ in Song Taizong period,Wang Yucheng indeed was the typical person.

关 键 词：北宋太宗朝 乐府 声诗 王禹偁 

分 类 号：I206.2[文学—中国文学]