论《汉书·艺文志》中“赋”的分类与排序——兼辨《楚辞》非选自“屈原赋之属”  

On the Assortment and Sequencing of "Fu "in Han Su:Yiwenzhi——Also on The Elegies of Chu Not Being Seleted from the Kind of Quyguan "Fu"

作　　者：尹海江[1] 

机构地区：[1]怀化学院中文系,湖南怀化418008

出　　处：《江汉大学学报（人文科学版）》2010年第5期43-47,共5页Journal of Wuhan Institute of Education

摘　　要：《汉书.艺文志》中的赋类作品的分类与排序是以类区分,以品相别,杂而不乱的。其对枚乘、东方朔、扬雄等人作品的处理,都能得出合理的解释。如此分类与排序,既与其总的编撰体例保持一致,又受当时的学术观念、价值标准和批评方法的影响,反映了汉代朴实学风。《楚辞》一书断非选自《汉书.艺文志.诗赋略》之"屈原赋之属"。另外,研究《汉书.艺文志》赋的分类与排序,尤其是前者,对了解《楚辞》中的作品如东方朔《七谏》的来源与著录等方面的情况有所帮助。The Assortment and sequencing of the works about Fu in Hansu：Yiwenzhi are arranged according to categories, distinguishing one from another according to quality for the purpose of assorting, so not in disorder. The arrangement of the works of Mei Chen, Dongfang Shuo, Yang Xiong et al could find rational explanation. The assortment and sequencing not only were in line with the general editing styles, but also were influenced by the contemporary academic view, value standard and critical methods, which reflected modest academic atmosphere of Han Dynasty. The Elegies of Chu is far from The Songs of Quyuan of Hansu： Yiwenzhi：shifulue. In addition, the study of the assortment and sequencing of Fu in Hansu：Yiwenzhi is helpful in knowing about works in The Elegies of Chu as the information about origin and description in Dongfang Shuo＇ s Qijian.

关 键 词：汉书 艺文志 汉赋 楚辞 东方朔 扬雄 

分 类 号：I207.22[文学—中国文学]