中国古代悲感文化略论  

On the Sadness in Ancient Chinese Literature

作　　者：瞿明刚[1] 

机构地区：[1]浙江海洋学院人文学院,浙江舟山316004

出　　处：《浙江海洋学院学报（人文科学版）》2010年第2期19-26,共8页Journal of Zhejiang Ocean University(Humane Science)

基　　金：浙江省社会科学规划课题基金项目"中国悲感文化研究"(编号:06CGWH10YB)成果之一

摘　　要：中国古代不少杰出文人认为悲感是文学魅力的最高境界。《周易》、《诗经》和《楚辞》是古代悲感文化的三大主源。空间悲感、时间悲感和生命悲感则是古代悲感文化的三大类型。"登高"和"望月"构成了空间悲感的重要主题;"春恨"、"秋悲"、"暮愁"和"夜怨"构成了时间悲感的重要主题;"悼亡"、"忧生"、"嗟贫"、"黍离"、"迟暮"构成了生命悲感的重要主题。Many eminent scholars in ancient China believe that sadness is the highest level of literary charm.Book of Changes,Book of Songs and Songs of the South are the three main source of sadness in the ancient culture.Sadness about space,time and life are the three types.＂Ascending＂and＂Gazing at the Moon＂constitute the important theme of sadness about space;sorrow in spring and autumn,and sorrow at dusk and night constitute the important theme of sadness about time;to lament over death,living,poverty,the state’s rise and fall,and old age are the embodiment of sadness about life.

关 键 词：悲感文化 空间悲感 时间悲感 生命悲感 

分 类 号：I206.2[文学—中国文学]