明清神魔小说评点与编创之关系探析  

An Exploration into the Relation between Criticisms and Creations of Novels of Deity and Demon in Ming and Qing Dynasty

作　　者：纪德君[1] 

机构地区：[1]广州大学俗文化研究中心,广东广州510006

出　　处：《求是学刊》2010年第5期107-112,共6页Seeking Truth

基　　金：国家社科基金项目"明清通俗小说编创方式研究";项目编号:05BZW023

摘　　要：明代中后期,神魔小说产生、兴起,引起了一些文人的评点兴趣,他们从探讨《西游记》入手,提出并阐发了心性论、真幻论、趣味论与游戏论等理论主张,不仅较深入地揭示了神魔小说的编创旨趣与编创特点,而且从不同方面、在不同程度上引导、影响了神魔小说的再创作,致使神魔小说在"曼衍虚诞"的艺术描写中寓含了发人深省的"理"、耐人寻味的"真"和令人解颐的"趣",三者相辅相成,共同提升了神魔小说的艺术品位,使其具有了较丰富的审美认识价值。In the middle and late Ming Dynasty,the appearance and rise of novels of deity and demon causes the interest of some men of letters to criticize.They start from Journey to the West,and put forward theories such as temperament theory,reality theory,interest theory,and game theory,which not only reveal deeply the purport and characteristics of these novels,but also influence the rewriting of them from a different angle and level.This leads to the inclusion of thought provoking ＂reason＂,interesting ＂reality＂ and problem solving ＂interest＂ in the ＂amplification and absurdity＂ of the artistic description of these novels.The artistic taste and aesthetic value are both promoted in this way.

关 键 词：神魔小说 心性论 真幻论 趣味论 

分 类 号：I207.41[文学—中国文学]