情与景的交融——中国钢琴音乐意境之探究  

Fusion of Emotion and View——Investigation of Mood of Chinese Piano Music

作　　者：张慧[1] 

机构地区：[1]东北师范大学音乐学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2010年第5期136-139,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社科基金项目(DLA100340)

摘　　要：中华民族有五千多年的历史和文化,有着传统的文艺思想和美学理论。"意境"是我国古典艺术美学思想中很重要的审美范畴。中国音乐讲究"传神"、"气韵"和"情意",情意中的"意"就是指"意境"。在中国钢琴音乐中,最能体现中国文化传统和美学思想的就是"意境"的塑造与表现。改革开放之后,中国钢琴音乐创作获得了极大的发展,涌现出了一批具有很高的艺术格调和充满音乐灵境的作品。这一方面反映了我国钢琴音乐创作呈多元化的发展态势,同时也体现了新一代作曲家们的美学追求,达到了诗境、情境、画境、意境与钢琴音乐语汇及技巧的高度统一。Chinese people has a history and culture for more than 5000 years with traditional artistic thoughts and aesthetic theories.＂Mood＂ is a very important aesthetic category in thought of Chinese classical artistic aesthetics.In Chinese music,＂expression of spirit＂,＂style＂ and ＂affection＂ are stressed.In the phrase ＂qingyi（affection）＂ the word ＂yi＂ means ＂mood＂.In Chinese piano music,what can best reveal Chinese cultural tradition and aesthetic thought is the creation and show of ＂mood＂.After the open door policy,the creation of Chinese piano music develops greatly,and there appear a great number of works with refined artistic style and musical mood.This reflects the development tendency of multiplicity of piano music composition,and at the same tme shows the aesthetic pursuit of the new generation of piano music composers.The present Chinese piano music has reached high unity of poetic mood,emotional mood,pictorial mood,semantic mood and vocabulary and techniques of piano music.

关 键 词：中国 传统文化 钢琴音乐 意境 

分 类 号：J601[艺术—音乐]