论华夏古典戏曲“圆形结构”叙事模式的审美情趣  

On Chinese Classical Drama ＂Circular Structure＂ Narrative Pattern Esthetic Appeal

作　　者：张鹏飞[1] 

机构地区：[1]亳州师范高等专科学校,安徽蒙城233500

出　　处：《海口经济学院学报》2010年第3期80-84,共5页

基　　金：本文系国家级社科基金艺术学项目（编号：07DDl9）,安徽省A类重点学科资助课题及安徽省教育厅人文社科研究项目基金课题（编号：2009SK482）“黄梅戏改革与侍承研究”阶段性成果.

摘　　要：华夏古典戏曲艺术既具有西方悲剧的一般特点又颇富含中华民族的生命个性而在悲剧文化艺苑中别具异彩风姿。概因中国社会的封建正统文化深深地植根于炎黄子民的世俗生活、精神风范和审美意蕴，即世间万事均喜好尊崇“中庸之道”、“温柔敦厚”且讲究“仁”、“义”、“礼”、“智”、“信”的言行举止而注重达求“天人合一”的超脱佳境，故而始终张扬着戏曲“圆形叙事”模式的生命情趣。China classical drama art both has the Western tragedy common characteristic and contains Chinese nation＇s life individuality quite richly, but in the and literary realm other extraordinary splendor graceful bearing. The Chinese society＇s feudal le- gitimate culture because takes root deeply generally in the Yan and Huang subjects＂ common custom life, the energetic style and the esthetic implication, now all like venerating ＂the Golden Mean gently, honest＂, and is fastidious about ＂the kernel＂, ＂righteousness＂, ＂the ritual＂, ＂the wisdom＂, ＂the letter＂ the words and deeds manner pays great attention to reach asks ＂the beauty unites the unique happiest extent, therefore makes widely known the drama ＂the circular to narrate＂ throughout the pattern life appeal.

关 键 词：华夏古典戏曲 圆形叙事 文化意蕴 审美情趣 

分 类 号：I207.3[文学—中国文学]