天人之道的张力空间——中国传统小说的审美空间  

The Tension Space of the Law of Universe and Human: The Aesthetic Space of Traditional Chinese Novels

作　　者：朱兵[1] 马正平[1] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070

出　　处：《燕山大学学报（哲学社会科学版）》2010年第3期65-70,共6页Journal of Yanshan University:Philosophy and Social Science

基　　金：国家社会科学基金项目"时空美学基本原理研究"(08XZX017)

摘　　要：中国传统小说中的杰出之作,常常通过诸多矛盾两极的流动逆转,借助儒、道、释精神的对立互补,加之神话叙事与现实叙事的有机统一,拓展出深广的审美空间,这往往是内蕴着天人之道的张力空间,独特而深远的审美意味寄寓其中。遗憾的是,传统小说的这种成功经验,却极少为我国现、当代小说所吸取。In the traditional Chinese fictions, depending on the reversion of contrary polar, the commutative complementarities of Confucianism, Taoism and Buddhism, the organic unification of the mythic and realistic narration expand the breadth and depth of aesthetic space which is the tension space with the law of universe and human. However it is a pity that the successful experience has not been learned by our contemporary novels.

关 键 词：中国传统小说 张力空间 审美空间 

分 类 号：I206.2[文学—中国文学]