相同的题材内容 迥异的艺术表现——李商隐、韩偓艳情诗艺术表现的差异  

Distinct Artistic Expressions in the Same Poetic Genre:On the Differences of the Artistic Expressions in the Erotic Poems by Li Shang-yin and Han Wo

作　　者：毕士奎[1] 

机构地区：[1]苏州学院学报编辑部,江苏苏州215104

出　　处：《广西师范大学学报（哲学社会科学版）》2010年第5期70-74,共5页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：江苏省教育厅高校哲学社会科学基金项目(07SJD750023)

摘　　要：晚唐诗坛上艳情诗创作颇为盛行。李商隐与韩偓分别是晚唐前后期艳情诗创作的代表诗人,且两人又是舅甥关系,因此韩偓的艳情诗在一定程度上受到了李商隐的影响。不过,由于种种原因,两人的艳情诗在艺术表现上却显有差异,主要表现在:诗歌意旨一具朦胧性,一具显明性;表现手法一具象征性,一具直陈性;艺术效果一具感染性,一具感官性。只有通过认真审视和深入比较,才能更清晰、准确也更客观和全面地把握这两个重要艳情诗人及其艳情诗篇。The creation of erotic poems prevailed among the poets of the late Tang Dynasty, and Li Shangyin and Han Wo were the typical poets of the genre in the early and late Tang Dynasty respectively. Although Han＇s creation was to some extent influenced by Li, his uncle, theerotic poems by the two poets, for various reasons, were still quite different in their artistic expressions, which manifested themselves as. Li＇s poems were obscure, symbolic and touched the heart while Han＇s works were distinct, explicit and sensuous. Careful analysis and in-depth comparison are needed to have a clearer, more accurate and objective understanding of the two poets and their erotic poems.

关 键 词：李商隐 韩偓 艳情诗 艺术表现 差异 

分 类 号：I206.2[文学—中国文学]