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作 者:黄丽[1]
出 处:《辽东学院学报(社会科学版)》2010年第5期140-145,共6页Journal of Liaodong University:Social Science Edition
基 金:辽东学院重点课题(2006-Z02);辽宁省教育厅项目(2006B045)
摘 要:中国古代戏曲从民间诞生,原本是为娱乐休闲之用,是对已沦为教化工具的正统诗文的一种反拨。但随着其发展成熟,逐渐沾染诗乐教化的艺术色彩。而且人民对其所具有的通俗、娱乐、抒情等特点认识越深,越自觉地将其当作移风易俗教化民众的政治工具。The ancient Chinese drama was born among the people.Originally,it was used for entertainment at spare time,differing from orthodox poems and music that had become education tools of the rulers.But as it developed and matured,it gradually tainted with an artistic color of poetry and music education.Furthermore,with increasingly deep understanding of its popular,recreational and lyric characteristics,the rulers would more self-consciously make it to be a political tool for transforming social traditions and educating the people.
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