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作 者:刘卫英[1]
出 处:《山西大学学报(哲学社会科学版)》2010年第4期24-29,共6页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:辽宁省社联项目:"明末清初辽宁战争与小说宝物崇拜研究"(2007LSLKTWX-05)
摘 要:明清小说宝物描写情节模式有四:"遇难——获宝——脱困"模式,展示出英雄获宝的幸运,磨难构成了宝物出现和获取运用机缘。"寻宝——夺宝——成功"模式中,寻宝、夺宝是斗宝的前奏和准备,与英雄的发迹变泰和业绩成功构成了一个较完整的故事类型。"授宝(借宝)——解难——却敌"模式,揭示出英雄受上天、仙师佑护的重要性。"失宝(盗宝)——误用——归位"模式,描写正派人物宝贝丢失,被不该用者误用造下罪孽,经一番周折又回归主人手中,盗宝者最终被收伏归位。There are four plot modes of treasure description in Ming-Qing novels.1."Being trapped-finding the treasure-getting out of danger"mode,which displays the good luck of the hero to get the treasure,and the chance for the treasure to emerge,to be obtained and to be applied,which was brought about by the very suffering of him.2.In the mode of"looking for the treasure——fighting for the treasure——succeeding in getting it",looking for the treasure and fighting for the treasure are the prelude to the treasure competition,constituting a complete story genre combined with the hero’s good fortune and accomplishment.3."Giving the treasure(borrowing the treas-ure)——doing rescue——repulsing enemies"mode,which shows the importance that the hero was protected by the god and fairy.4."Losing the treasure(stealing the treasure)-misapplying the treasure——returning the treas-ure"mode,which describes the treasure loss of the virtuous person and the evils produced by the misapplication of the person who is not supposed to use it and the return of the treasure to its owner after many setbacks with the treasure robber being finally vanquished.
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