中国传统音乐记谱法的社会学释读  

The Sociological Interpretation of Traditional Chinese Music Notation

作　　者：梁鲲[1] 

机构地区：[1]山西大学音乐学院,山西太原030006

出　　处：《山西大学学报（哲学社会科学版）》2010年第4期74-77,共4页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要：传统记谱法的生成与运用有其独特的背景,在以文人音乐为主导的独立记写符号体系内,减字谱、工尺谱等谱式形成强化了其外在本体特征与文化特征。在商品经济主导的美学理念主宰下,以各种记谱法为重要而内在的物化符号载体,应当得到技术保护与文化加固。对抗畸形的"经济康采恩"模式的文化理念,这种保护与加固,是传统文化在当前生态下积极的保护策略与传承措施。The generation and application of traditional music notation has its own social and cultural background.In the independent note-taking symbol system dominated by intellectual music,the formation of Jianzi music and Gongchi music has strengthened its external ontological and cultural characters.In the aesthetic ideology dominated by commodity economy,the materialized symbol carrier,which takes various ways of music nation for its core,should be given further technical protection and cultural reinforcement.Against the malformed＂economic Konzern＂ cultural concept,this protection reinforcement is the active protection strategy and inheritance measure for the tradi-tional culture in the present ecology.

关 键 词：减字谱 文人音乐 音乐社会学 敦煌琵琶谱 趣味群 

分 类 号：J613.2[艺术—音乐]