杜布菲原生艺术研究述略及思考  

A Short Account and Thinking of Dubuffet's Raw Art

作　　者：杨彬[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《贵州大学学报（艺术版）》2010年第3期11-15,共5页Journal of Guizhou University Art Edition

基　　金：贵州大学研究生创新基金资助项目<原生艺术与贵州原生艺术创作研究>[项目编号:校研人文2010036]

摘　　要：杜布菲(Dubuffet,1901—1985),是第二次世界大战后涌现出的法国著名画家,自他提出原生艺术便掀起了关于"原生艺术"的运动,成为当代艺术的焦点之一。他认为原生艺术有隔离于社会以及文化的影响,无任何艺术专业训练和传统羁绊,不以经济、公众认可为目的、完全源自个人的灵感、冲动、情感发泄等艺术价值、特征,强调"率性而为"的"个人兴趣爱好"以表现"人"和"人的世界"而与传统艺术相区别。Dubuffet（1901~1985）,a famous French painter that appeared after World War II.Since he put forward his raw art which aroused a ＂raw art＂ movement,it has become one of the focuses of contemporary art.He thought that raw art had influences of isolating society and culture,without any artistic professional training and traditional fetters,not for the purposes of economy and public recognition,only with artistic values originated from personal inspiration,impulse and emotional outburst.He also stressed the difference between traditional arts and ＂personal interests＂ of ＂freewheeling＂ that show ＂human being＂ and ＂human world＂.

关 键 词：杜布菲 原生艺术 研究 思考 

分 类 号：J110.99[艺术—艺术理论]