从《群音类选》看元明剧本的“改编过渡”现象  

On the Phenomenon of "Adaptation in Transition" with Yuan and Ming Operas Seen from Qun Yin Lei Xuan

作　　者：石艳梅[1] 

机构地区：[1]徐州工程学院人文学院,江苏徐州221000

出　　处：《徐州工程学院学报（社会科学版）》2010年第5期67-70,共4页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：通过对明代戏曲选本《群音类选》所收录的一部分孤佚剧曲的梳理与考释,援用"改编过渡本"这一概念对宋元南戏、元明杂剧到明清传奇之间的演变轨迹进行探索,可以揭示出元明戏曲发展史中的一些"改编过渡本"及其重要意义。Through analyzing and interpreting some of the only-copy operas collected in Qun Yin Lei Xuan,an opera collection in Ming dynasty,a new concept of ＂adaptation in transition＂ was invented to explore the evolving track from Nan Xi of Song and Yuan Dynasties,to Zaju of Yuan and Ming Dynasties,and to romances of Ming and Qing Dynasties.

关 键 词：《群音类选》 南戏 传奇 改编过渡 

分 类 号：I207.301[文学—中国文学]