肖斯塔科维奇《前奏曲二十四首》(OP.34)研究——以C大调(OP.34NO.1)为例  

Study on Shostakovich's Preludes 24(OP.34):C Major(OP.34 NO.1) as an Example

作　　者：胥必海[1] 

机构地区：[1]四川文理学院音乐系,四川达州635000

出　　处：《四川文理学院学报》2010年第6期69-71,共3页Sichuan University of Arts and Science Journal

摘　　要：肖斯塔科维奇一生为钢琴写作过大量作品,涵盖钢琴音乐的各个方面。创作于1932年至1933年的《前奏曲二十四首》(OP.34)在内容和形式上,均独树一帜,是一种全新的音乐体裁,对后世影响巨大,被称之为"新古典主义的音乐格言"。而《C大调前奏曲》作为这部套曲的开卷之作,充满着浓厚的"肖斯塔科维奇式"的"先锋派"风格,具有统领全局的作用。Shostakovich composed massive music works for piano,which cover all the aspects of piano music.The Preludes 24（OP.34）,composed from 1932 to 1933,is a completely new musical genre and unique in content and form,which is called ＂new classicism music maxim＂ and has a deep influence on its following composition.As a starting one of the divertimento,The Prelude C Major is characteristics with Shostakovichish avant-garde style and plays a role of leading the following pieces.

关 键 词：肖斯塔科维奇 前奏曲 C大调 

分 类 号：J614.3[艺术—音乐]