晚唐前、后期艳情诗艺术表现差异探析——以李商隐、韩偓为中心  

On the artistic differences of the erotic poems during the beginning and end of the late Tang Dynasty:exemplified by Poets Li Shang-yin and Han Wo

作　　者：毕士奎[1] 

机构地区：[1]苏州市职业大学学报编辑部,江苏苏州215104

出　　处：《镇江高专学报》2010年第3期20-25,共6页Journal of Zhenjiang College

基　　金：江苏省教育厅高校哲学社会科学基金项目(07SJD750023)

摘　　要：晚唐诗坛上艳情诗创作颇为兴盛,不仅诗人众多,而且诗作繁富。不过,晚唐前、后不同时期的艳情诗,内容虽大同小异,而艺术表现却颇有不同。这一点在前期代表诗人李商隐和后期代表诗人韩偓诗中体现得尤为突出,其主要表现在:诗歌意旨的表达上,前期具有朦胧性,后期具有显明性;表现手法的运用上,前期多为象征性,后期多为直陈性;艺术效果的显现上,前期具有感染性,后期具有感官性。因此,只有辨其差异,明其特征,方能更客观、全面、准确地把握晚唐诗坛的艳情诗人及其艳情诗篇。The late Tang Dynasty witnessed the flourishness of erotic poems,which brought forth numerous works as well as a lot of erotic poem writers.Although the contents of the erotic pomes written during the beginning and end of the late Tang Dynasty are similar,the artistry is quite different,which is typified by Li Shang-yin at the beginning of the ear and Han Wo at the end respectively.Such differences include： Li＇s works are obscure while Han＇s are distinct in terms of motif;Li＇s works are symbolic while Han＇s are explicit in terms of techniques;Li＇s works touch the heart while Han＇s please the senses in terms of effects.It follows that only careful studies of the poetic differences and features can lead to a correct,complete and objective understanding of the erotic poem writers and their works during the late Tang Dynasty.

关 键 词：晚唐前、后期 艳情诗 艺术表现 差异 

分 类 号：I207.22[文学—中国文学]