借得山川秀,添来景物新——《红楼梦》与爱伦·坡小说的景物美  

On Dream of the Red Mansion and the Scenic Beauty of Allan Poe's Novels

作　　者：何劲虹[1] 唐旭光[2] 

机构地区：[1]四川外语学院国际商学院,重庆400031 [2]广西师范学院外国语学院,广西南宁530001

出　　处：《广西师范学院学报（哲学社会科学版）》2010年第4期35-40,共6页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

摘　　要：曹雪芹和爱伦.坡在他们的作品中皆从美学角度描述景物,一个景致就是一幅优秀的画和一首优美的诗。他们强调天然和谐为造园的基本原则,并显示世外桃源与人间仙境乃园艺思想的精深表述。景物美与人物美融为一体,以体现女性的崇高。景物的色彩赋予情感和生命的象征意义。景物的导引和园林布局的形式美以打破园林围墙封锁而扩大表现空间,从园林的有限空间去感受无限的艺术空间。Both Cao Xue-qin and Allan Poe describe the scenery from the point of view of aesthetics.A sight is a fine painting,as well as a beautiful poem.They regard nature and harmony as the basic principles of garden building,thus profoundly expressing the gardening thought,i.e.the combination of land of peach blossoms and paradise on earth.The beauty of scenery is mixed with that of characters so as to embody the noble qualities of women.The colors of scenery provide emotions and lives with symbolic meanings.The orientation of scenery and the formal beauty of gardening arrangement break through the blockade to walled gardening and expand space of expression,so the unlimited space of art can be felt from the limited space of gardening.

关 键 词：景物 自然 导引 色彩 形式 美 

分 类 号：I24[文学—中国文学]