“吴声”的雅化与风格演变  

A Discussion About the Refined Phenomenon and Style Changing of "Wu Sheng"

作　　者：王志清[1] 

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《晋阳学刊》2010年第6期112-114,118,共4页Academic Journal of Jinyang

基　　金：国家社科基金资助项目<齐梁乐府诗音乐与文学关系研究>的阶段成果(09CZW023);湖南省教育厅项目阶段成果(09C801);吉首大学博士科研启动基金资助(jsdxkyzz200802)

摘　　要：乐府的雅化包括观念层面的俗、雅变迁和实践层面的俗乐雅化。乐府的雅化体现在音乐与歌词两方面,吴声音乐的雅化经历了晋宋时期"被之管弦"和萧梁宫廷制作大型组曲两个阶段,歌词的雅化经历了文人雅歌和宫廷艳曲两个阶段。由此,吴声由民谣的质朴天然走向文人乐歌的含蓄雅致和宫廷乐歌的艳丽奢华,完成了风格的演变。乐府的雅化总体上实现了艺术化和精美化,这个过程本身充满创造性,不宜简单视为僵化。The refined phenomenon of Yue-Fu included two respects,one was SuYue regarded as YaYue,another was SuYue.The music and the song were considered in the the refined phenomenon of Yue-Fu.Because the music and song of Wu Sheng experienced two stages,the style of Wu Sheng was changed from the simple to the refined and gorgeous.The refined phenomenon of Yue-Fu should not be regarded as the stiff phenomenon.

关 键 词：吴声 雅化 音乐 歌词 风格 

分 类 号：I222.6[文学—中国文学]