明四家作品中的文人情结  

Literati Complex in Works of Four Leading Painters of the Ming Dynasty

作　　者：张彩霞[1,2] 

机构地区：[1]西北师范大学美术学院,甘肃兰州730070 [2]兰州交通大学艺术设计学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2010年第5期49-51,共3页Journal of Lanzhou Jiaotong University

摘　　要：文人画自唐代王维创立以来,经历宋元两朝的发展,到明代时,又得到了长足的发展,形成了许多门派,这些门派中对中国画坛极具影响力的是"明四家",也就是中国画史上的"吴门四家",即沈周、文徵明、唐寅、仇英。他们四家的绘画,虽然师承及风格不尽相同,然而却都表现出浓郁的文人情结。Literati paintings,founded by Wang Wei since the Tang Dynasty,experienced the development of the Song and Yuan dynasties. They were developed considerably in the Ming Dynasty and many martial arts formed. Among those, the most influential one is the ＂four leading painters of the Ming Dynasty＂. That is the history of ＂Wu Men Four＂ in Chinese painting history. They are Shen Zhou, Wen Zheng-ming, Tang Yin and Qiu Ying. These four paintings are different in style and teacher, but they all show strong literati complex.

关 键 词：明四家 文人画 文人情结 

分 类 号：J205[艺术—美术]