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作 者:王素霞[1]
出 处:《海南师范大学学报(社会科学版)》2010年第5期28-31,78,共5页Journal of Hainan Normal University(Social Sciences)
基 金:国家社科基金项目"新都市小说与中国都市文化的现代演进"阶段性成果之一(05BZW058);"深圳大学人文社会科学基金资助项目";项目编号:801
摘 要:论文将"叙事地图"这一概念引入都市文学的研究视角,考察作家在这种地理轨迹中与都市间内在的心理距离,由此凸显小说叙事的都市审美功能。在此,不同的地理空间造就了相异的都市景观,但又呈现着近似的精神旨向。主要从以下三个角度论述叙事地图的路径:一是距离:作家与都市空间的内在对话;二是轨迹:都市景观的个案风情(以南京和深圳为例);三是符号:都市"浮城"的旨向与归属。This paper attempts to inspect the innate mental distance between writers and the metropolis in such a geographical ambience so as to highlight the aesthetic function for the metropolis in the novel narrative by introducing the concept of "the narrative map" into the study of urban literature.As such,while different geographical space has led to diverse urban landscapes,there are some similarities among them in the spiritual orientation.In this paper,the path of the narrative map is discussed in three aspects:distance—the inner dialogue between writers and the urban space;the path,i.e.a case study of specific urban landscape (with Nanjig and Shenzhen as examples);and symbols,namely,the orientation and ownership of the urban "floating city".
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