书写何为?——论朱天文《巫言》书写本位意识与美学救赎实践的可能  

On the Standard Consciousness of Writing and the Possibility of Aesthetic Redemption in Wuyan by Zhu Tianwen

作　　者：张艳艳[1] 

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《海南师范大学学报（社会科学版）》2010年第5期79-82,共4页Journal of Hainan Normal University(Social Sciences)

基　　金：国家社科基金青年项目"汉语诗学研究"的成果之一;项目编号:08CZW006

摘　　要：朱天文在近期力作《巫言》中体现了自觉的主体创作意图。在小说中写作者充分强调书写本身的本体论意义,藉书写构建存在物的纵深、多层次的灵性存在状态。而文章也进一步讨论其创作实践对现代都市景观化生存状态实现美学救赎的可能性。Wuyan,a recent major novel by Zhu Tianwen,well reflects the conscious writing intent of the novelist,for the novelist has,in the novel,fully stressed the ontological meaning of writing itself and managed to establish the depth of substances and the multilayered intelligent existence.This paper is an attempt to further discuss the possibility of Zhu＇s writing practice to protect and restore modern urban landscape in an aesthetic manner.

关 键 词：朱天文 《巫言》 书写 物性 救赎 美学实践 

分 类 号：I206.7[文学—中国文学]