审美现代性与消费主义意识形态批判  

Aesthetic Modernity and Ideological Criticism of Consumerism

作　　者：粟世来[1,2] 

机构地区：[1]华中师范大学文学院,湖北武汉430079 [2]吉首大学文学院,湖南吉首416000

出　　处：《吉首大学学报（社会科学版）》2010年第5期22-28,共7页Journal of Jishou University(Social Sciences)

基　　金：湖南省教育厅科学研究项目(09C803)

摘　　要：消费主义文化是现代性历程中发展出的主要的文化再生产模式。在今天,这一文化借助全球化的伪装,推促了审美向日常生活的殖民,促进了"日常生活审美化"的进程。审美现代性是现代性的反思维度和批判面向;应该通过审美现代性来反思、批判被消费和审美全面覆盖的日常生活的意识形态性,揭露作为社会生活本身的意识形态的虚假性,揭示消费时代的日常生活表征出来的审美幻象和消费政治。Consumerism culture is the main cultural reproduction model during the modernity process.With disguise of globalization,this culture has been pushing and promoting the aesthetics to the colonization of everyday life,promoting the process of aestheticization of everyday life.Aesthetic modernity is reflective and Critical dimension of modernity,we should reflect and Critique of the ideology of everyday life covered by consumption and aesthetics,expose the falsehood of social life as an ideology,and reveal aesthetic mirage and consumption politics manifested in the daily life of the consumption age.

关 键 词：审美现代性 消费主义 意识形态批判 

分 类 号：B83-06[哲学宗教—美学]