Ontologically Speaking... Some Reflections on the Paintings of Fan Bo  

作　　者：Valerie C. Poran 

机构地区：[1]Hoong Kong

出　　处：《China Population Today》2010年第4期53-55,共3页当代中国人口（英文版）

摘　　要：In February of this year,the Guangdong Museum of Art held a symposium entitled "Techniques of the Visible:Painting in Media-based Reality",at which the art historian and curator Gao Shiming posed the following question:"How can we imagine a future of painting in a context of post-painting art history?" In the art of Fan Bo,we find an elegant riposte to this question. If the definition of a living language is one which continues to develop,to add new vocabularies,to reflect the conditions of life as they unfold,then Fan Bo' s painting language is vital and alive,relevantIn February of this year, the Guangdong Museum of Art held a symposium entitled “Techniques of the Visible： Painting in Media-based Reality”, at which the art historian and curator Gao Shiming posed the following question： “How can we imagine a future of painting in a context of post- painting art history？”

关 键 词：实体 艺术史 美术馆 

分 类 号：TP391.72[自动化与计算机技术—计算机应用技术] J110.9[自动化与计算机技术—计算机科学与技术]