数字动漫艺术与民间艺术发展的美学思考——以河北民间艺术为例  

Analysis of Aesthetics Between the Digital Anime Comic Art and Chinese Traditional Folk Art:An Example of Hebei Folk Art

作　　者：刘桂荣[1] 闫树涛[2] 

机构地区：[1]河北大学艺术学院,河北保定071002 [2]河北大学成人教育学院,河北保定071002

出　　处：《西北大学学报（哲学社会科学版）》2010年第6期121-123,共3页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：2009年河北省社会科学基金项目(HB09BYS003)

摘　　要：中国传统民间艺术在数字化时代已渐趋式微,当代流行的数字动漫艺术也因其缺乏创意而为人所诟病。从美学的角度看,要解决这一困境,就是要实现动漫艺术和民间艺术在内容与形式等方面的互动,使动漫艺术从民间艺术中获得丰厚的内容资源和精神滋养,而民间艺术借动漫艺术的新型形式以捕捉新的发展契机,以此实现二者的互动发展。In the era of digitalization, Chinese traditional folk art has been gradually declining; meanwhile, the increasingly popular digital Anime Comic art is being criticized owing to its lack of creativity. From the perspective of aesthetics, in order to cope with this difficult situation, it is necessary to realize the integration of Anime Comic art and folk art in terms of their contents and forms so that the Anime Comic art can absorb rich nutrition from traditional folk art, and the folk art can seek new opportunities for development by means of injecting itself with the innovative form of Anime Comic art, and thus both can achieve better aesthetic interaction.

关 键 词：动漫艺术 民间艺术 审美互动 

分 类 号：J01[艺术—艺术理论]