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作 者:张鹏飞[1]
出 处:《楚雄师范学院学报》2010年第11期11-15,共5页Journal of Chuxiong Normal University
基 金:国家级社科基金艺术学项目;项目编号:07DD19;安徽省A类重点学科资助课题;安徽省教育厅人文社科研究项目基金课题;项目编号:2009SK482
摘 要:陶渊明诗歌描摹的花卉草木、飞禽走兽、山水园林、南亩躬耕、书琴吟咏、饮酒闲居等诸多田园意象似乎皆饱含着诗人的生命心语的真情表白。观乎陶诗,虽说在某种程度上承继了儒、道、释三教哲思的文化观照且蕴藉着孔、老、佛的学说兼修的思想特质,然则实质上却以自己独特的人生经历达求了对中国传统文化思想资源的生命超越、辩证扬弃、性灵升华,并建构了匠心独运的人生化、艺术化、审美化、愉悦化的"南山人格"模式的审美妙境。The countryside images such as flowers and plants,the birds and beast,the scenery botanical garden,working in the fields,calligraphy,music,poetry and prose,drinking and idle,etc.described in Tao Yuanming's poetry was full of poet's life heart language and true feelings vindicating.Although to some extent Tao's poetry inherited the philosophizing cultural conception of Confucianism,Taoism,Buddhism and its profound ideological trait,but in virtually,with his own life experiences expressed the life beyond of traditional Chinese culture thought resources,the discrimination and discard,spirit sublimation and constructed personality,artistry,aesthetic,cheer "Nanshan personality" model of the inventive dulcet aesthetic prospect.
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