历史悖论与美学陷阱——“新诗标准”问题兼对90年代以来诗歌的反思  

A Historical Paradox and an Aesthetic Trap——Problem of Standards for New Poetry and Introspection of the Poetry Since 1990s

作　　者：周红丽 

机构地区：[1]曹庄子中学,河北唐山064006

出　　处：《梧州学院学报》2010年第5期53-57,共5页Journal of Wuzhou University

摘　　要：当下新诗标准问题的争论还在持续中,这其中有必然的社会语境和文学背景,也是长期以来关于诗歌标准问题认识上的混乱导致的结果。新诗的标准实际上含括了本体论、文体学和层级水准两个层面,前者是不可撼动的事实判断,后者则是不断变化的价值认定。新诗标准不是一个单纯的美学和技艺问题,牵涉到复杂的文学场域等诸多问题。而在新诗标准的视阈下重新审视1990年代以来诗歌写作的相关问题与评价尺度,会深化关于新诗标准问题的认识并对当下的新诗写作和批评产生建设性的影响。Presently,the standards for new poetry still remains to be a controversial issue.This is inevitably related to the social and literary background and is a result of a long-standing confusion about the standard for poetry.The standards for new poetry actually encompasses two levels： the ontology,stylistics and substandards.The former is judgment of undeniable facts and the latter is establishment of ever-changing values.The standards for new poetry are not merely an issue of aesthetic and technique but a problem involved in many issues in the complex literary field.Reexamining the issues and assessment standards related to the writing of poetry since the 1990s under the standards for new poetry will deepen the understanding of the standards for new poetry and impose constructive implication on poetry writing and criticism

关 键 词：新诗标准 本体学 历史性 场域 

分 类 号：I207.5[文学—中国文学]