陈子昂的文学观及其诗文实践  

On CHEN Zi-ang's Literary View and His Writing of Poems and Essays

作　　者：余和生[1] 张红花[1] 祝爱汝[1] 

机构地区：[1]上饶师范学院,江西上饶334001

出　　处：《上饶师范学院学报》2010年第5期86-89,共4页Journal of Shangrao Normal University

基　　金：江西省社会科学"十一五"[2008年]规划项目<中国历代名家文学批评范式研究>(08WX91)的阶段性成果

摘　　要：初唐之际,陈子昂"文章道弊五百年"的诗文革新论、"汉魏风骨,晋宋莫传"的文学风格论、"兴寄都绝,每以咏叹"的文学本质论、"当有知音,以传示之"的文学创作论的文学观及其诗文实践,承继汉魏风骨,开启盛唐气象,为盛唐诗文奠定了基调,唱响了"盛唐之音"的序曲。In the early Tang Dynasty,CHEN Zi-ang produced several literary theories： the new theory of innovation of poems and essay——＂something has been wrong with the unique but objective nature of literature＂;the theory of literary style——Jing and Song Dynasties haven＇t inherited the essential features of artistic beauty of Han and Wei Dynasties;the theory of literary nature——＂people always feel sorry for the extinction of XING and JI（sufficient and deep literary ideas and their rich and profound expressions）＂;the theory of literary creation and its critical paradigm——＂once there is a bosom friend,one should instruct him and let him pass on the literature.＂ His theories have inherited the essential literary features of Han and Wei Dynasties and started a new and dynamic atmosphere of Tang Dynasty in its heyday,laid foundation for the poems and essays of Tang Dynasty in its heyday and sang out the prelude to the ＂music of Tang Dynasty in its heyday＂.

关 键 词：陈子昂 诗文革新 风骨 兴寄 建安风骨 

分 类 号：I206.2[文学—中国文学]