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作 者:祁志祥[1]
机构地区:[1]上海政法学院新闻传播与中文系,上海201701
出 处:《辽宁大学学报(哲学社会科学版)》2011年第1期40-47,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)
基 金:作者主持的国家社科基金项目"中国古代美学史的重新解读"部分成果;是<金圣叹的戏曲批评>(<长江学术>2010年第1期)的姊妹篇
摘 要:金圣叹的小说美学思想集中体现在对《水浒传》的评点中。《水浒传》的创作动因是"发愤作书"、寄托"庶人之议";创作方法是"因文生事"、"动心"想象、"凭空造谎";艺术成就是具有丰富性、复杂性、真实性的人物性格的塑造;塑造人物性格的方法是相反相成、同中见异;情节结构的设计法则是相似相避;由此产生的审美效果是"险绝故妙绝""、险极则快极"。这就使得金圣叹的《水浒》评点超越了单个文本,获得了普适的小说美学意义。Jin Shengtan's aesthetic thoughts on fiction are mainly expressed in his comment on Outlaws of the Marsh.Motivation of the creation of the masterpiece is "writing books with determined efforts" in hopes of "expressing the author's political ideas as a common person";the methods of creation the author employed include "making up a new story to follow the trend of the narrative","imagining the situation while putting himself in the position of the fictional character",and "telling lies out of thin air".One of the dominant artistic achievements of the author is that he shaped many a colorful,complicated,and authentic character.This enables Jin Shengtan's comments on Outlaws of the Marsh to go beyond a single text and have access to the ubiquitous fiction aesthetics.
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