《古事记》神话舞台的构造  

Stage Structure of Kojiki Myth

作　　者：冯良珍[1] 

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《外国问题研究》2010年第4期28-33,共6页FOREIGN HISTORY STUDIES

基　　金：国家社科基金项目"变体汉文文献<古事记>的语言文字研究(编号08BYY052)"的阶段成果

摘　　要：《古事记》神话舞台的构造,有天界、人界、冥界、仙界等,这与中国神话舞台的构造大致相同。但《古事记》神话各界的名称多有不同,且《古事记》神话各界之间的通道更具象化。"根之坚州国"则是日本神话中所独有的。《古事记》神话世界中可看出中国道教宇宙观的投射。《古事记》神话舞台的构造反映了中日文化接触所导致的受容和变异。The construction of Kojiki myth stage includes heaven, human world, underworld, immortal world and so on, which is roughly the same as the construction of Chinese myth stage. However, the name of each stage in Kojiki myth is of more diversity, and the passageways between the realms of Kojiki myth are more visualized. Netherworld is unique in Japanese myth. We can see that Kojiki myth world is influenced by the cosmology in Chinese Taoism. The stage strcture of Kojiki myth reflects the adoption and change in the Sino-Japanese cultural exchanges.

关 键 词：《古事记》 神话 宇宙观 文化接触 

分 类 号：I313[文学—其他各国文学]