试论《升官图》的狂欢化特征  

Carnival of Shenguantu—a Comedy of Scenes of Promotion

作　　者：叶玉婷[1] 

机构地区：[1]厦门理工学院文化传播系,福建厦门361024

出　　处：《厦门理工学院学报》2010年第4期103-107,共5页Journal of Xiamen University of Technology

摘　　要：运用巴赫金的狂欢化诗学理论,从结构、形象、语言形式、数字运用四方面,具体分析陈白尘喜剧作品《升官图》中呈现的狂欢化特征,这些特征体现了审美主体在特定的社会政治环境下,对中外狂欢体民间文学和文人喜剧创作的狂欢性的全面继承与创新,它们彰显出鲜明的现代性与民族性。The paper illustrates the carnival characteristics in Shenguantu,a comedy by Chen Baichen of scenes of promotion,reviewed from structure,images,language and the use of number by the theory of Carnival by Bahktin.They reflect the aesthetic appraisers＇ inheritance and innovation of the carnival folk literature and the carnival comedies by literary writers under particular social and political environment,which has the outstanding features of modernity and nationality.

关 键 词：《升官图》 狂欢化诗学理论 狂欢化特征 

分 类 号：I207.3[文学—中国文学]