审美现代性的中国式生成——郭沫若戏剧与西方浪漫主义思潮  

The establishment of aesthetic Modernity in China——Guo Moruo's drama and Western Romanticism

作　　者：周兴杰[1] 

机构地区：[1]湖南科技大学古代文学与社会文化研究基地,湖南湘潭411201

出　　处：《中南大学学报（社会科学版）》2009年第6期813-817,共5页Journal of Central South University：Social Sciences

基　　金：湖南省社会科学基金项目<中国现代戏剧与西方戏剧思潮>(项目编号:07YBB270)

摘　　要：现代性视域中郭沫若戏剧浪漫主义的内涵,突出表现在剧中人物的个性主义和反前现代性的理想主义上。郭沫若与西方浪漫主义联系,首要的还在于他与西方浪漫主义反叛精神的契合上,其次是对自我意识的张扬与礼赞,再者表现在对艺术的审美品质的共同追求上。但郭沫若的浪漫主义表现出两个方面的独特性,即浪漫主义的革命化和追求浪漫主义与现实主义的融合。In the horizon of Modernity,the connotation of romanticism in Guo Moruo＇s drama consists of the individualism and the anti-pre-modernity idealism.The connection of Guo Moruo＇s drama and Western Romanticism,at first,is the revolting spirit conformed by both of them.It is the displaying and praising of the self-consciousness,and the common pursuit of aesthetic quality as well.Nevertheless,the romanticism of Guo Moruo still has his special characteristics,which embodyed the following two aspects：the revolutionary romanticism and the fusion of romanticisn and realism.

关 键 词：郭沫若 戏剧 浪漫主义 审美现代性 

分 类 号：I0-03[文学—文学理论]