谲谏与垂训——罗隐《谗书》重探  

Advice and Instruction: A Re-probe into LUO Yin's Chan Shu

作　　者：李建崑[1] 

机构地区：[1]东海大学中国文学系

出　　处：《山西大学学报（哲学社会科学版）》2011年第1期29-37,共9页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要：晚唐文学家罗隐,能诗能文,其《谗书》五卷,尤其受到后人的注目。《谗书》原为行卷工具,结果却超越求仕功能,成为批判政治社会的作品。这五十八篇小品仍延续儒家"委婉谲谏"的传统,仍有"借史垂训"的意图。罗隐遥承白居易"为君、为民、为时而作,不为文而作"的写实精神,以《谗书》响应晚唐政治与社会种种乱象,代表"青年罗隐"对晚唐政治情态与社会现实的"严正关怀"。书中使用高超的写作技巧,提升了讽刺力度;包括近二十种文体,堪称古典文体的集中操练与展示。其寓言作品,数量虽不多,却创意十足。凡此,都使《谗书》一书,成为唐代讽刺文学不可多得的杰作。LUO Yin, a literary man in late Tang dynasty, was much a hand at both poem composition and essay writing, and his five - volume Chan Shu particularly held the attention of the later generation. Chan Shu was originally written as a reference to uplift his ranking in imperial examination, but it in effect went beyond its function as a means of seeking official position and came to be a piece of works criticizing politics and society. These 58 essays kept up the Confncian tradition of offering advice indirectly with the intention of giving instruction in virtue of histo- ry. LUO Yin inherited BAI Juyi＇ s realistic writing spirit of writing not for the literature, but for the monarch, for the people and for the times. With Chan Shu he made a response to the political and social chaos in late Tang dynasty, which revealed ＂young Luo Ying＇ s serious concern＂ about the political situation and social reality in late Tang dynasty. His writing, with sophisticated writing techniques and almost twenty writing styles, could be known as concentrated practice and display of classical writing styles. Few in number, his allegory writings were fertile of creativeness. All of these made Chan Shu a rare masterpiece in ironic literature of Tang dynasty.

关 键 词：罗隐 谗书 罗昭谏集 太平两同书 甲乙集 

分 类 号：I206.2[文学—中国文学]