在记忆与反思中守望文学——论流亡时期诗人郭沫若的自传写作与理论思考  

Sticking to Literature in Memory and Reflection——A View of a Poet in Exile Guo Moruo's Autobiography Writing and Theoretical Considerations

作　　者：蔡震[1] 

机构地区：[1]郭沫若纪念馆,北京100009

出　　处：《陕西师范大学学报（哲学社会科学版）》2011年第1期107-113,共7页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：中国社会科学院A类重大课题(2002-08)

摘　　要：郭沫若流亡日本期间,除写作大量历史学、古文字学著述外,其文学创作及著述也相当丰富,其中自传的写作是最主要的方面。郭沫若自传的最大特点是在落笔时就力图从个人经历去反映一个时代的风云变幻和脉搏跳动。除自传外,小说创作和文学理论的著述亦值得关注。由1935年到1936年多篇历史小说结集的《豕蹄》成为他该时期文学创作的代表,而伴随着《豕蹄》的创作,郭沫若也形成了自己的小说创作理论——关于"典型"的理论。郭沫若这一时期的文学思想,脱却了从日本无产阶级运动中去机械搬运理论主张的方式,贯注着个人深入独到的思考,成为他后来形成系统的历史剧创作理论和关于悲剧的美学理论的前奏。During the period of exile in Japan,Guo Moruo contributed abundant literature and literary works,particularly autobiographical writing,in addition to his his many works on history and old graphics.Between 1935 and 1936,Guo wrote his collection of historical stories entitled as The Pig＇s Paws,a representative literary work of his own in this period.With the writing of The Pig＇s Paws,he also shaped his theory of literary writing,namely,a theory concerning the typical.Guo＇s literary theory in the period,which broke away from the theory of mechanical copying in Japanese proletarian movement,embodies his unique consideration on literature,and became the preparatory attempt to his later theory of historical drama writing and aesthetic theory about tragedy.

关 键 词：郭沫若 传记文学 历史小说 小说创作理论 

分 类 号：I206.6[文学—中国文学]