从“民族的诗”到“民族志诗学”——从歌谣运动的两个细节说起  

From National Poem to Poetics of Ethnography ——Start from Two Details in Folk-song Collection Movement

作　　者：曹成竹[1] 

机构地区：[1]南京大学文学院,江苏南京210093

出　　处：《贵州师范大学学报（社会科学版）》2011年第1期108-112,共5页Journal of Guizhou Normal University(Social Sciences)

基　　金：江苏省普通高校研究生科研创新计划资助项目"民歌:审美习俗与理性的张力场"(CX09B_012R)成果

摘　　要：北大歌谣运动中的两个细节虽然并不引人注意,却又彼此密切联系,构成了一条隐含的文艺创作与学术研究的分界线。"民族的诗"和"民族志诗学"虽然在某种程度上只是笔者为探讨的方便而采取的话语策略,但它们基本上能够代表刘半农和周作人的歌谣观念。二者无所谓优劣,只是在特定历史时期内,对于特定的群体和研究对象而言,哪一种更加容易为人们所接受而已。There were two details which were not remarkable but connected with each other tightly, and they composed a latent boundary between art and learning. ＂ National poem＂ and ＂ poetics of ethnography＂ can stand for ideas of Liu Bannong and Zhou Zuoren about folk - song to some extent. We cant say which is better or worse, we can only find out which is more easily for peo- ple to accept in a special time, for a special group, and to a special object.

关 键 词：歌谣运动 民歌 刘半农 周作人 

分 类 号：I206.6[文学—中国文学]