八股文对明代前期戏曲创作的影响——以《香囊记》的骈偶倾向为例  

Looking at the Impact of Eight-part Essay Over the Creation of Early Ming Drama Through Antithesis Tendency of "Xiang Nang-ji"

作　　者：马琳萍[1] 朱铁梅[1] 

机构地区：[1]石家庄学院文学与传媒学院,河北石家庄050035

出　　处：《河北学刊》2011年第2期116-119,共4页Hebei Academic Journal

摘　　要：八股文对明前期戏曲创作的影响主要表现在《香囊记》上。通过对《香囊记》与八股文文本的对比分析可以看出,正如徐渭所言,《香囊记》的对偶在很大程度上是从八股文移植而来的。邵璨通过对前腔体制的创造性改造实现了这种移植。The main performance of Impact of Eight-part essay over drama of Ming Dynasty earlier period is＂Xiang Nang-ji＂.Through with the comparing and analysing of the eight-part essay and＂Xiang Nang-ji＂,we can find out,just like what Xu Wei said,the parallelism and antithesis of＂Xiang Nang-ji＂was transplanted from the eight-part essay＇s parallelism and antithesis to a great extent.Shao Can realized this kind of transplantation through the creative transformation to the legendary qianqiang system.

关 键 词：《香囊记》 八股文 对偶 前腔 

分 类 号：I207.37[文学—中国文学]