突围与困境——姜安论  

Breakthrough and Perplexity:on Jiang An

作　　者：于宁志[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《南京理工大学学报（社会科学版）》2011年第2期59-64,共6页Journal of Nanjing University of Science and Technology：Social Sciences

基　　金：国家社会科学基金项目"中国新时期军旅女作家研究"阶段性成果;项目批准号:07CZW012

摘　　要：与红色经典叙事相比,姜安的创作表现出一些新的因素,比如对人性复杂性的关注,对女性压迫、女性苦难的揭示,对极"左"政治的反思,对革命者及其组织封建性的批判等,但总体看来,其创作仍没有超越红色经典叙事的正史意识、英雄传统、国家主义框架和暴力美学范型,而这些又使反思和批判显得苍白无力。她的文学创造表现出权威历史话语与现代政治理念之间的矛盾、充当社会历史家的意识与建构文学审美价值的背离。Compared to the classic red narration,Jiang An＇s works embody some new elements：attention to complexity of human nature,revelation of oppression to females and their corresponding suffering,reflection on the Left politics and criticism to feudalistic nature in revolutionary organizations,to name just a few.However,if judged from an overall perspective,she fails to overpass the framework and mode constructed on the basis of authoritative history consciousness,hero tradition,nationalism and violence aesthetics.Her reflection and criticism appear pale and feeble,in that her works display conflicts between the authoritative history discourse and modern political principles,and the deviation from her personal wish to be a social historian and to construct pure literary aesthetic value.

关 键 词：正史传统 国家主义 革命哲学 执政逻辑 审美价值 

分 类 号：I206.7[文学—中国文学]