疆界的消失:俄罗斯未来主义与艺术的“去分化”  

Russian Futurism and the Dedifferentiation of Arts

作　　者：刘胤逵[1] 

机构地区：[1]北京师范大学外国语言文学学院,北京100875

出　　处：《外国文学》2011年第2期97-103,159,共7页Foreign Literature

基　　金：教育部人文社科重点研究基地2007年度重大研究项目<苏联解体后俄罗斯文学最新发展>(07JJD751075)

摘　　要：作为西方现代主义同类文学现象的对应物,俄国唯美主义和早期象征派对于"纯"艺术的追求或多或少地体现了现代主义的一个重要倾向——分化。但是这种倾向在俄国语境中只是一个暂时现象,因为随后的未来主义明确表现出对于这种倾向的反对态度。通过融汇不同种类的艺术,俄国未来主义创造出了许多新的艺术形式,并为后来的莫斯科概念主义,即俄罗斯后现代主义的主体,提供了本土资源。与此同时,其艺术试验也体现了当代艺术中的一个倾向——去分化。本文尝试分析上述进程,并说明俄国未来主义在先锋派历史中发挥的作用。As an equivalent ofwestern modernism,Russian aestheticism and early symbolism with their pursuit of 'pure' art represented more or less differentiation,an important trend of modernism.But this trend in the Russian context was only a transient phenomenon,and the following futurism clearly showed its objection to it.By creating many forms of new art through the mixture of traditional ones,the Russian futurism provided a native source of inspiration for Russian postmodernism (Moscow conceptualism).Meanwhile,their artistic experiments demonstrated one trend in contemporary art — dedifferentiation.In this article the author tries to analyze the above-mentioned development and to explain what role Russian futurism played in the history of the avant-garde.

关 键 词：俄国 先锋派 未来主义 概念主义 分化 去分化 

分 类 号：I0[文学—文学理论] I512