“襄阳会”故事的演化与《三国志通俗演义》的艺术超越  

The Evolution of the Story of "Xiang Yang Meeting" and the Artistic Surpassing of The Popular Stories of the Three Kingdoms

作　　者：钟林斌[1] 

机构地区：[1]辽宁大学中文系,辽宁沈阳110036

出　　处：《南京师范大学文学院学报》2011年第1期66-73,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：本文在揭示"襄阳会"故事的史实依据,梳理故事传承积累的过程之后,对元杂剧、元平话作品中的"襄阳会"故事作了比较分析,进而论证《三国志通俗演义》对这一传统故事的继承与超越,说明这部长篇小说虽然是"世代累积型"的,但它的写定者罗贯中的艺术创新之功值得重视。After disclosing the historic facts of the story of ＂Xiang Yang Meeting＂ and tracing its process of inheriting and accumulating, this paper compares the versions of this story appeared in the dramas and popular storytellings in the Yuan Dynasty, and further proves the inheriting and surpassing of The Popular Stories of the Three Kingdoms to the traditional story, explains that this full length novel is a result of accumulation of generations, yet the merit of the artistic innovation of Luo Guanzhong as its final script author is worth of ourattention.

关 键 词：襄阳会 《三国志通俗演义》 创新 

分 类 号：I207.413[文学—中国文学]