从“韵味”到“震惊”——再论本雅明的艺术现代性理论  

From Aura to Shock——Comment on Benjamin's theory of art modernity

作　　者：陆涛[1] 

机构地区：[1]阜阳师范学院文学院,讲师文学博士安徽阜阳236037

出　　处：《北方论丛》2011年第2期40-44,共5页The Northern Forum

摘　　要：作为现代性的理论家,本雅明对于现代性有自己独特的看法。就其艺术现代性而言,传统艺术使人们体验出来的是韵味。而韵味作为艺术的本真性,让人体验的是美,呈现给人们的是膜拜价值。而现代艺术带给人们的体验则是震惊,而不再是作为审美的韵味,呈现给人们的是展示价值。在本雅明那里,这种震惊体验主要表现在电影和现代都市之中。As a theorist of modernity,Benjamin has his own special idea of modernity.To his art modernity,the tradditional art make peopl feel is aura,which is the Authenticity,making people feel beauty,showing the value of worship.At the same time,the modern art bring the shock expiernce to peopl,not aura as a beauty,showing the value of exhibition.According to Benjamin,this shock expience exists mainly in film and the modern city.

关 键 词：艺术现代性 韵味 震惊 膜拜价值 展示价值 

分 类 号：J110.9[艺术—艺术理论]