中日近代美学学科生成源流考——兼论王国维美学新学语的来源  

The Exploration of the Forming Origin of Modern Aesthetics Discipline of China and Japan——On the Origin of Wang Guowei's New Academic Language of Aesthetics

作　　者：韩书堂[1] 

机构地区：[1]山东经济学院文学院,山东济南250014

出　　处：《理论学刊》2011年第3期114-118,128,共5页Theory Journal

摘　　要：从比较详尽的中日近代美学编年史看,东方美学学科的生成是一个历史"群体性"事件,生成于各种历史的、地域的多元因素之综合的作用力,中日同受西方影响,中日之间亦相互作用。王国维对中国近代美学学科之贡献甚巨,但是在某些具体问题上,如"美学"一词是否产自王国维?中国美学的范畴系统如何生成?王氏新学语与西方和日本学术之关系到底如何等,笔者认为,能够明确的必须明确,应该审慎的必要审慎。Viewed from the fairly detailed modern aesthetics chronicles of China and Japan,the forming of the discipline of oriental aesthetics is a historical mass event.It is formed under the influence of various historical and regional factors.Western world imposed influence on China and Japan.And China and Japan exerted influence on each other.Though Wang Guowei made significant contributions to modern aesthetics,there are still some questions needing to be answered.For example,is the term 'aesthetics' created by Wang Guowei? How is the system of China's aesthetics formed? What is the relationship between Wang Guowei's new academic language with western and Japanese academics ? If it's possible,all these questions must be made clear with prudent attitude.

关 键 词：王国维 中日美学范畴 王国维 美学源流 

分 类 号：B83[哲学宗教—美学]