传统动物纹样在玉雕艺术中的演变  

To analyze the evolution of the traditional animal schema in jade carving from the development of Taotie design and Dragon design

作　　者：傅跃慧 

出　　处：《上海工艺美术》2011年第1期97-99,共3页Shanghai Arts & Crafts

摘　　要：玉在华夏民族璀璨的历史长河中拥有不可替代的地位,中国人历来视玉为瑰丽、高尚、坚贞、圣洁的象征。作为具有独立审美意识的玉雕工艺,也随着时代的发展而不断进步,其纹样装饰的演变也顺应着人们对玉的理解以及审美意识的提高。饕餮纹和龙纹被广为运用于玉雕装饰,这两种纹样的出现与发展同样也丰富了玉雕的装饰意味和内涵。本文回顾了饕餮纹和龙纹这两种纹样先后的发展历程,从一个侧面反映了玉雕艺术的审美倾向和价值的转变。Jade in China is a symbol of sublime,noble,faithful and holy for the Chinese nationality.And meanwhile with the development of technology,people' s understanding of jade carving and researches have made constant progress.The evolution of the schema of Chinese jade carving conforms to the increasing understanding and aesthetic consciousness of jade from the people.Taotie design and Dragon design were widely used in the pattern design of jade carving through the history.And they also enrich the decorative flavor and connotation to jade carvings.So this thesis reviews the development of Taotie design and Dragon design in order to reflect the aesthetic tendency and change in value of the jade carving.

关 键 词：玉雕艺术 动物纹样 演变 传统 装饰意味 审美意识 华夏民族 玉雕工艺 

分 类 号：J314.9[艺术—美术]