村上春树小说的电影空间  

The Movie Space of Haruki Murakami's Novels

作　　者：尚一鸥[1] 

机构地区：[1]东北师范大学外国语学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2011年第2期115-119,共5页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究项目青年基金项目(10YJC752035);东北师范大学校内青年基金项目(10QN004)

摘　　要：村上春树并不是一位创作准备丰足的作家。解读村上与电影的因缘,可以感知后现代文学背景下的作家素养同作品因素一样出现了许多重大变异。完全依靠学习美国现代小说打造自我的村上,事实上也曾经借助现代电影特别是美国影片的艺术介质,滋养了自己的作家人生。这既是村上小说建构的主要来源之一,也是理论研究需及时做出调整、加以关注的全新领域和作家个案。Haruki Murakami is not a writer with plenty of preparation on creativity.By reading closely the relationship between Murakami and films,we can figure out that the writer＇s accomplishment in the background of Postmodern Literature has came out a variety of important variation just as the factors of his literary works.Murakimi,developing himself by merely learning modern American fiction,in fact,had once nourished his writer＇s life via modern movies,especially the medium of American films.This is one of the main sources of Murakami＇s novel construction,as well as a completely new area and a writer＇s individual case which need to be timely adjusted and noticed in theoretical research.

关 键 词：村上春树 文学经典 电影艺术 

分 类 号：I106.4[文学—世界文学]